BEGIN:VCALENDAR
VERSION:2.0
PRODID:icalendar-ruby
CALSCALE:GREGORIAN
X-WR-CALNAME:peter campus: video ergo sum
X-WR-TIMEZONE:Eastern Time (US & Canada)
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383266009
DTSTART;VALUE=DATE:20190902
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383267455
DTSTART;VALUE=DATE:20190903
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383268954
DTSTART;VALUE=DATE:20190904
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383270996
DTSTART;VALUE=DATE:20190905
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383273013
DTSTART;VALUE=DATE:20190906
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383275255
DTSTART;VALUE=DATE:20190907
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383277645
DTSTART;VALUE=DATE:20190908
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383278758
DTSTART;VALUE=DATE:20190909
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383280246
DTSTART;VALUE=DATE:20190910
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383282690
DTSTART;VALUE=DATE:20190911
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383284038
DTSTART;VALUE=DATE:20190912
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383285741
DTSTART;VALUE=DATE:20190913
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383287074
DTSTART;VALUE=DATE:20190914
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383289100
DTSTART;VALUE=DATE:20190915
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383290738
DTSTART;VALUE=DATE:20190916
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383292372
DTSTART;VALUE=DATE:20190917
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383294124
DTSTART;VALUE=DATE:20190918
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383295747
DTSTART;VALUE=DATE:20190919
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383297418
DTSTART;VALUE=DATE:20190920
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383299103
DTSTART;VALUE=DATE:20190921
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383300884
DTSTART;VALUE=DATE:20190922
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383302383
DTSTART;VALUE=DATE:20190923
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383304528
DTSTART;VALUE=DATE:20190924
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383305878
DTSTART;VALUE=DATE:20190925
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383306977
DTSTART;VALUE=DATE:20190926
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383309408
DTSTART;VALUE=DATE:20190927
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383310914
DTSTART;VALUE=DATE:20190928
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383312207
DTSTART;VALUE=DATE:20190929
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383314461
DTSTART;VALUE=DATE:20190930
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383316873
DTSTART;VALUE=DATE:20191001
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383317057
DTSTART;VALUE=DATE:20191002
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383319447
DTSTART;VALUE=DATE:20191003
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383321920
DTSTART;VALUE=DATE:20191004
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383322151
DTSTART;VALUE=DATE:20191005
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383324827
DTSTART;VALUE=DATE:20191006
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383325755
DTSTART;VALUE=DATE:20191007
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383328275
DTSTART;VALUE=DATE:20191008
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383331232
DTSTART;VALUE=DATE:20191009
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383332174
DTSTART;VALUE=DATE:20191010
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383333616
DTSTART;VALUE=DATE:20191011
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383334926
DTSTART;VALUE=DATE:20191012
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383337356
DTSTART;VALUE=DATE:20191013
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383338631
DTSTART;VALUE=DATE:20191014
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383340139
DTSTART;VALUE=DATE:20191015
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383342168
DTSTART;VALUE=DATE:20191016
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383342743
DTSTART;VALUE=DATE:20191017
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021610Z
UID:tag:localist.com\,2008:EventInstance_31086383345624
DTSTART;VALUE=DATE:20191018
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383346261
DTSTART;VALUE=DATE:20191019
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383348679
DTSTART;VALUE=DATE:20191020
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383350608
DTSTART;VALUE=DATE:20191021
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383351593
DTSTART;VALUE=DATE:20191022
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383353131
DTSTART;VALUE=DATE:20191023
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383354393
DTSTART;VALUE=DATE:20191024
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383356153
DTSTART;VALUE=DATE:20191025
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383357142
DTSTART;VALUE=DATE:20191026
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383358998
DTSTART;VALUE=DATE:20191027
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383361192
DTSTART;VALUE=DATE:20191028
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383362908
DTSTART;VALUE=DATE:20191029
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383364856
DTSTART;VALUE=DATE:20191030
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383365980
DTSTART;VALUE=DATE:20191031
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383368031
DTSTART;VALUE=DATE:20191101
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383369849
DTSTART;VALUE=DATE:20191102
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383370250
DTSTART;VALUE=DATE:20191103
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383372356
DTSTART;VALUE=DATE:20191104
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383374377
DTSTART;VALUE=DATE:20191105
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383375771
DTSTART;VALUE=DATE:20191106
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383378058
DTSTART;VALUE=DATE:20191107
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383380373
DTSTART;VALUE=DATE:20191108
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383382005
DTSTART;VALUE=DATE:20191109
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383383045
DTSTART;VALUE=DATE:20191110
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383385119
DTSTART;VALUE=DATE:20191111
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383387529
DTSTART;VALUE=DATE:20191112
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383388231
DTSTART;VALUE=DATE:20191113
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383389814
DTSTART;VALUE=DATE:20191114
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383391125
DTSTART;VALUE=DATE:20191115
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383393160
DTSTART;VALUE=DATE:20191116
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383394844
DTSTART;VALUE=DATE:20191117
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383396155
DTSTART;VALUE=DATE:20191118
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383398037
DTSTART;VALUE=DATE:20191119
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383398936
DTSTART;VALUE=DATE:20191120
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383401251
DTSTART;VALUE=DATE:20191121
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383402802
DTSTART;VALUE=DATE:20191122
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383404034
DTSTART;VALUE=DATE:20191123
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383406535
DTSTART;VALUE=DATE:20191124
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383407329
DTSTART;VALUE=DATE:20191125
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383409764
DTSTART;VALUE=DATE:20191126
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383411915
DTSTART;VALUE=DATE:20191127
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383413862
DTSTART;VALUE=DATE:20191128
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383414775
DTSTART;VALUE=DATE:20191129
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383417017
DTSTART;VALUE=DATE:20191130
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383418534
DTSTART;VALUE=DATE:20191201
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383421431
DTSTART;VALUE=DATE:20191202
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383421734
DTSTART;VALUE=DATE:20191203
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383423977
DTSTART;VALUE=DATE:20191204
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383425861
DTSTART;VALUE=DATE:20191205
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383428477
DTSTART;VALUE=DATE:20191206
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383430026
DTSTART;VALUE=DATE:20191207
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260809T021611Z
UID:tag:localist.com\,2008:EventInstance_31086383430686
DTSTART;VALUE=DATE:20191208
DESCRIPTION:peter campus’ contributions as a pioneer of video art have no
 t been reflected in a larger awareness of his work. This is due in part to
  the technical complexities of his early interactive video installations\,
  which has limited their opportunities for exhibition. All of campus’ wo
 rks\, from the closed-circuit video installations he began making in 1971 
 to his most recent videos\, may be said to explore the processes of percep
 tion and vision\, exploiting the specific characteristics of both the elec
 tronic and later the digital image.\n\n \n\nFor visitors\, the work in vid
 eo ergo sum is truly experiential\, often requiring viewers to actively en
 gage the artworks’ mechanisms and thereby create the work itself. Thanks
  partly to the use of the "live image\," the effect of the artist’s inte
 ractive works from the 1970s is uncanny\, generating disconcerting iterati
 ons and repetitions of one’s own image.\n\n \n\nIn 1978\, peter campus s
 et aside video and began to devote himself to photography\, working outsid
 e the studio in his immediate environment. When he returned to video in 19
 96 the medium was now digital and the equipment much more manageable. The 
 “videographs” he produced\, beginning in 2007\, were composed of stati
 c\, unedited shots\; intimate\, poetic\, and quietly experimental.\n\n \n\
 ncampus’s treatment of the images\, at the level of the pixel\, creates 
 a certain degree of abstraction\, engaging the viewer in a new exercise of
  perception and interpretation. His intense connection to the site chosen 
 and his attention to light\, color and framing may best be seen in his mos
 t recent four-channel video\, created for this exhibition and presented in
  this instance at the Hanes Gallery. Filmed in a natural setting in ultra-
 high definition (4K)\, in convergence d’images vers le port\, the visito
 r’s gaze intersects with the sensibility and emotion of the artist’s v
 ision.\n\n \n\n“Video never left me\,” claims peter campus. It is his 
 medium. video ergo sum.\n\n \n\nCurator: Anne-Marie Duguet. Exhibition org
 anized by the Jeu de Paume (Paris)\, with the participation of the Hanes A
 rt Gallery-WFU\, and the Southeastern Center for Contemporary Art\, in col
 laboration with Cristin Tierney Gallery (NYC)\, for its presentation in Wi
 nston-Salem\, NC. Additionally\, Reynolda House Museum of American Art is 
 presenting works of peter campus in support of video ergo sum.
GEO:36.133956;-80.280602
LOCATION:Charlotte and Philip Hanes Art Gallery
SUMMARY:peter campus: video ergo sum
URL;VALUE=URI:https://events.wfu.edu/event/peter_campus_video_ergo_sum
CATEGORIES:Arts & Entertainment
END:VEVENT
END:VCALENDAR