BEGIN:VCALENDAR VERSION:2.0 PRODID:icalendar-ruby CALSCALE:GREGORIAN X-WR-CALNAME:Exhibition: The O'Keeffe Circle X-WR-TIMEZONE:Eastern Time (US & Canada) BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704786984 DTSTART:20210914T133000Z DTEND:20210914T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704788009 DTSTART:20210915T133000Z DTEND:20210915T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704792106 DTSTART:20210916T133000Z DTEND:20210916T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704793131 DTSTART:20210917T133000Z DTEND:20210917T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704795180 DTSTART:20210918T133000Z DTEND:20210918T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704797229 DTSTART:20210919T173000Z DTEND:20210919T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704799278 DTSTART:20210921T133000Z DTEND:20210921T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704801327 DTSTART:20210922T133000Z DTEND:20210922T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704803376 DTSTART:20210923T133000Z DTEND:20210923T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704806449 DTSTART:20210924T133000Z DTEND:20210924T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704808498 DTSTART:20210925T133000Z DTEND:20210925T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704810547 DTSTART:20210926T173000Z DTEND:20210926T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704811572 DTSTART:20210928T133000Z DTEND:20210928T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704813621 DTSTART:20210929T133000Z DTEND:20210929T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704815670 DTSTART:20210930T133000Z DTEND:20210930T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704818743 DTSTART:20211001T133000Z DTEND:20211001T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704820792 DTSTART:20211002T133000Z DTEND:20211002T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704822841 DTSTART:20211003T173000Z DTEND:20211003T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704824890 DTSTART:20211005T133000Z DTEND:20211005T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704825915 DTSTART:20211006T133000Z DTEND:20211006T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704827964 DTSTART:20211007T133000Z DTEND:20211007T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704831037 DTSTART:20211008T133000Z DTEND:20211008T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704833086 DTSTART:20211009T133000Z DTEND:20211009T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704835135 DTSTART:20211010T173000Z DTEND:20211010T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704839232 DTSTART:20211012T133000Z DTEND:20211012T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704841281 DTSTART:20211013T133000Z DTEND:20211013T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704843330 DTSTART:20211014T133000Z DTEND:20211014T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704845379 DTSTART:20211015T133000Z DTEND:20211015T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704847428 DTSTART:20211016T133000Z DTEND:20211016T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704849477 DTSTART:20211017T173000Z DTEND:20211017T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704851526 DTSTART:20211019T133000Z DTEND:20211019T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704852551 DTSTART:20211020T133000Z DTEND:20211020T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704854600 DTSTART:20211021T133000Z DTEND:20211021T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704856649 DTSTART:20211022T133000Z DTEND:20211022T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704858698 DTSTART:20211023T133000Z DTEND:20211023T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704860747 DTSTART:20211024T173000Z DTEND:20211024T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704862796 DTSTART:20211026T133000Z DTEND:20211026T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704863821 DTSTART:20211027T133000Z DTEND:20211027T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704865870 DTSTART:20211028T133000Z DTEND:20211028T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704867919 DTSTART:20211029T133000Z DTEND:20211029T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704869968 DTSTART:20211030T133000Z DTEND:20211030T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704872017 DTSTART:20211031T173000Z DTEND:20211031T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704874066 DTSTART:20211102T133000Z DTEND:20211102T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704877139 DTSTART:20211103T133000Z DTEND:20211103T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704878164 DTSTART:20211104T133000Z DTEND:20211104T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704880213 DTSTART:20211105T133000Z DTEND:20211105T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704882262 DTSTART:20211106T133000Z DTEND:20211106T203000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704884311 DTSTART:20211107T183000Z DTEND:20211107T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704885336 DTSTART:20211109T143000Z DTEND:20211109T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704887385 DTSTART:20211110T143000Z DTEND:20211110T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704889434 DTSTART:20211111T143000Z DTEND:20211111T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704891483 DTSTART:20211112T143000Z DTEND:20211112T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704892508 DTSTART:20211113T143000Z DTEND:20211113T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704894557 DTSTART:20211114T183000Z DTEND:20211114T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704896606 DTSTART:20211116T143000Z DTEND:20211116T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704898655 DTSTART:20211117T143000Z DTEND:20211117T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704900704 DTSTART:20211118T143000Z DTEND:20211118T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704902753 DTSTART:20211119T143000Z DTEND:20211119T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704904802 DTSTART:20211120T143000Z DTEND:20211120T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704905827 DTSTART:20211121T183000Z DTEND:20211121T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704907876 DTSTART:20211123T143000Z DTEND:20211123T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704909925 DTSTART:20211124T143000Z DTEND:20211124T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704911974 DTSTART:20211125T143000Z DTEND:20211125T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704912999 DTSTART:20211126T143000Z DTEND:20211126T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704915048 DTSTART:20211127T143000Z DTEND:20211127T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704917097 DTSTART:20211128T183000Z DTEND:20211128T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704918122 DTSTART:20211130T143000Z DTEND:20211130T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704920171 DTSTART:20211201T143000Z DTEND:20211201T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704921196 DTSTART:20211202T143000Z DTEND:20211202T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704924269 DTSTART:20211203T143000Z DTEND:20211203T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704925294 DTSTART:20211204T143000Z DTEND:20211204T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704927343 DTSTART:20211205T183000Z DTEND:20211205T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704928368 DTSTART:20211207T143000Z DTEND:20211207T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704930417 DTSTART:20211208T143000Z DTEND:20211208T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704932466 DTSTART:20211209T143000Z DTEND:20211209T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704934515 DTSTART:20211210T143000Z DTEND:20211210T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704936564 DTSTART:20211211T143000Z DTEND:20211211T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704938613 DTSTART:20211212T183000Z DTEND:20211212T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704939638 DTSTART:20211214T143000Z DTEND:20211214T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704941687 DTSTART:20211215T143000Z DTEND:20211215T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205136Z UID:tag:localist.com\,2008:EventInstance_37580704943736 DTSTART:20211216T143000Z DTEND:20211216T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205137Z UID:tag:localist.com\,2008:EventInstance_37580704945785 DTSTART:20211217T143000Z DTEND:20211217T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205137Z UID:tag:localist.com\,2008:EventInstance_37580704946810 DTSTART:20211218T143000Z DTEND:20211218T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205137Z UID:tag:localist.com\,2008:EventInstance_37580704948859 DTSTART:20211219T183000Z DTEND:20211219T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205137Z UID:tag:localist.com\,2008:EventInstance_37580704950908 DTSTART:20211221T143000Z DTEND:20211221T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205137Z UID:tag:localist.com\,2008:EventInstance_37580704951933 DTSTART:20211222T143000Z DTEND:20211222T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205137Z UID:tag:localist.com\,2008:EventInstance_37580704953982 DTSTART:20211223T143000Z DTEND:20211223T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205137Z UID:tag:localist.com\,2008:EventInstance_37580704955007 DTSTART:20211224T143000Z DTEND:20211224T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205137Z UID:tag:localist.com\,2008:EventInstance_37580704957056 DTSTART:20211225T143000Z DTEND:20211225T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205137Z UID:tag:localist.com\,2008:EventInstance_37580704959105 DTSTART:20211226T183000Z DTEND:20211226T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205137Z UID:tag:localist.com\,2008:EventInstance_37580704960130 DTSTART:20211228T143000Z DTEND:20211228T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205137Z UID:tag:localist.com\,2008:EventInstance_37580704962179 DTSTART:20211229T143000Z DTEND:20211229T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205137Z UID:tag:localist.com\,2008:EventInstance_37580704963204 DTSTART:20211230T143000Z DTEND:20211230T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT BEGIN:VEVENT DTSTAMP:20260810T205137Z UID:tag:localist.com\,2008:EventInstance_37580704965253 DTSTART:20211231T143000Z DTEND:20211231T213000Z DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe f ound their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-g arde painters with whom she showed her newest works. In time\, several art ists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\ , often moderating his enthusiasms with a dispassionate exactness.\n\nQuot ing extensively from her letters\, this small\, two-room exhibition will e xplore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simp le\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Ke effe’s "Cedar Tree with Lavender Hills\," 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Char les Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for t he support of The Robert and Constance Emken Fund of the Winston-Salem Fou ndation\n\nImage: Arthur Dove\, "Dancing" (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art GEO:36.125786;-80.282684 LOCATION:Reynolda House Museum of American Art SUMMARY:Exhibition: The O'Keeffe Circle URL;VALUE=URI:https://events.wfu.edu/event/new_exhibition_the_okeeffe_circl e_artist_as_gallerist_and_collector CATEGORIES:Exhibit END:VEVENT END:VCALENDAR